Publisher: Penguin Group, 2019

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Available Spring 2019


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The Great Pretenders


Hollywood, 1953: From the beach at Malibu to leafy Laurel Canyon, from the soundstages of Empire Pictures to jazz clubs on Central Avenue, Roxanne Granville’s sunlit world is shadowed by secrets.

Roxanne, granddaughter of Julia and Leon Greene, founder of Empire Pictures, romped through a charmed, wealthy childhood until Leon’s passionate affair with a much younger actress destroyed his marriage. Leaving the Greenes’ fabulous mansion Roxanne moves to a Malibu bungalow, and takes an entry level job at a prestigious agency. When the boss attempts a sexual conquest, she quits, and moving forward, forges a career unique for a woman in the 1950s, becoming an agent for hungry, young screenwriters. Her clients work for low wages and long hours in B pictures, and the new voracious medium, television.

Her professional fortunes soar when one of her writers enjoys a stunning success. But this victory is based on a lie. The picture is actually the work of a disgraced writer from Empire’s glory days, a man who had refused to co-operate with the House Un-American Activities Committee (HUAC) and found himself blacklisted, unable to work under his own name. He is not alone; the blacklist destroyed sterling reputations, wrecked careers, smashed long friendships. One by one, blacklisted writers surreptitiously approach Roxanne asking her to find fronts for their work. Out of loyalty, affection, respect for these writers–and unresolved resentment against Leon–Roxanne agrees. She wades into a world murky with duplicity and deception.

Her life is further complicated when fate–and a police raid on a jazz club—introduce her to Terrence Dexter, a compelling African American journalist unlike anyone she’s ever known. Roxanne again breaks rules, risks everything as she and Terrence are swept up in a dangerous, passionate love affair.

Roxanne Granville bravely defies the era she is born to. Enmeshed in a swirling cauldron of pretense, lies and deceit, her many secrets make her, and those she loves, vulnerable to ruin.

The Great Pretenders is riveting, resonant fiction, a novel about aspiration and desperation, about sex and star billing, defiance, betrayals, forbidden love and unregretted folly.

Cyrano de Bergerac and The Great Pretenders

Cyrano de Bergerac—brilliant wit, exquisite poet, undefeated cavalier—is unredeemably ugly. His nose, a giant, disfiguring schnoz, renders him unfit to play the lover to any woman, much less the lovely Roxanne. She is in love with the handsome soldier, Christian. To help his tongue-tied rival win Roxanne’s love, Cyrano speaks his own words, immortal protestations of love. beneath her balcony. She believes Christian is speaking to her from his heart, and replies rapturously. The young couple elopes. Then it all goes to hell.


Panache is one of my favorite words. To me panache evokes an individual who sparkles in company, who displays generosity of spirit and confidence they have earned.


My many books have been dedicated to a few close friends and to supportive agents, but mostly to my sons, my sister, and my mother. THE GREAT PRETENDERS has a unique dedication.

Hollywood Memoirs

Juicy, sometimes salacious, full of glamorous details or outrageous incidents, the memoir–with its whispered invitation, “This is true!”–far more than the novel, is the literary genre ideally suited to Hollywood.